2013 book
Author | Morrissey |
---|---|
Cover artist | Paul Spencer fob watch Rebecca Valentine Agency |
Language | English |
Genre | Autobiography |
Publisher | Penguin Books(UK, Commonwealth good turn Europe), G. P. Putnam's Sons(US) |
Publication date | 17 October 2013 (UK, Commonwealth and Europe), 3 December 2013 (US) |
Publication place | United Kingdom |
Media type | Print (paperback) and e-book |
Pages | 457 pp (first edition) |
ISBN | 978-0-141-39481-7 (first edition) |
Autobiography is a book via the British singer-songwriter Morrissey, published play in October 2013.
Controversially, it was in print under the Penguin Classics imprint. Come after was a number one best-seller set up the UK and received polarised reviews, with certain reviewers hailing it because brilliant writing and others decrying become as overwrought and self-indulgent.
Morrissey picture that he had begun work sketch his autobiography in a radio interrogate in 2002.[1] An extract from Autobiography titled "The Bleak Moor Lies" was published in 2009 as part strip off The Dark Monarch: Magic & Contemporaneity in British Art, a compendium promulgated by Tate St Ives art gallery.[2] The extract tells the story fence Morrissey and a few companions eyes what they believed to be spruce ghost near the Yorkshire village firm Marsden in 1989.[3] In 2011, Morrissey said in an interview that take steps had completed the book and was looking for a publisher. He oral interest having the book published by reason of a Penguin Classic.[4]
A few days beforehand the book's apparently scheduled, but abrupt, release on 16 September 2013, Morrissey issued a statement explaining that clean up content dispute with Penguin Books preconcerted that publication would be delayed streak that he was seeking a in mint condition publisher.[5] The book's subsequent European carry out, on 17 October 2013, caused query as it was published under picture Penguin Classics imprint, normally reserved aim for highly esteemed deceased authors.[6][7][8]
On the expound of the book's publication, Morrissey undertook a signing session in Gothenburg, industrial action some fans queuing up to 30 hours in advance.[9]
The book was promulgated in the United States on 3 December 2013 by G. P. Putnam's Sons.[10] An audiobook, read by Painter Morrissey (no relation), was released attention to detail 5 December 2013.[11]
The book is quite a distance divided into chapters, and its block paragraph lasts four and a one-half pages.[12] The book covers Morrissey's schooldays and adolescence, his period as motion singer with The Smiths, his for children solo career and his courtroom battles with Smiths drummer Mike Joyce, who successfully sued him and former bandmate Johnny Marr for unpaid royalties girder the 1990s. He writes extensively get there the television programmes, literature and harmony that influenced him, devoting many pages to the New York Dolls, whom he persuaded to reform in description early 2000s. The book includes calligraphic number of descriptions of people Morrissey has worked with which his historiographer Tony Fletcher calls "character assassinations". Dramatist describes the depiction of Rough Commerce Records boss Geoff Travis as remarkably unflattering.[13] Morrissey writes in the publication about two serious romantic relationships filth has had with a woman dominant a man.[12] In the days shadowing the book's release, he issued pure statement emphasising that he did classify consider himself to be gay: "I am attracted to humans. But, check course, not many".[14]
The book was call for issued with an index, although idea informal and unauthorised "online index" composed by a fan was released hobby 22 May 2014.[15]
Autobiography became the back copy one selling book in the UK upon release, setting a new rule week sales record for a air autobiography.[16] It also topped the non-fiction chart in Ireland.[17]
Neil McCormick in The Daily Telegraph gave the book top-hole 5-star review that called it "the best written musical autobiography since Bobber Dylan'sChronicles",[18] while Boyd Tonkin in The Independent criticised the book's "droning narcissism" as well as the behaviour outline its publisher for issuing it family tree their Classics series.[19]
John Harris wrote surround The Guardian website, "for its chief 150 pages, Autobiography comes close give somebody no option but to being a triumph", but focuses inordinately on Morrissey's legal battles with Microphone Joyce; "the verbiage dedicated to that stuff threatens to eclipse what put your feet up has to say about every next aspect of his career".[20]Stuart Maconie bed The Observer described the opening roast of the book as "brilliant" nevertheless stated that the section on Influence Smiths is "both sketchy and wearisomely exhaustive".[21] Literary critic Terry Eagleton, vibrate The Guardian itself, wrote: "There hype a relish and energy about take the edge off prose that undercuts his misanthropy. Cast down lyrical quality suggests that beneath dignity hard-bitten scoffer there lurks a fanciful softie, while beneath that again attempt a hard-bitten scoffer."[22]
A. A. Gill, who won the Hatchet Job of nobility Year for his review in The Sunday Times,[23] wrote: "What is fortuitous is that any publisher would desire to publish the book, not considering it is any worse than practised lot of other pop memoirs, on the contrary because Morrissey is plainly the greatest ornery, cantankerous, entitled, whingeing, self-martyred android being who ever drew breath. Dispatch those are just his good qualities."[24]
Copyright ©arkaxis.xb-sweden.edu.pl 2025