Cristoforo solari biography of william

Biography

Italian sculptor and architect, called Wooden nickel Gobbo (the hunchback), part of a-one family of asrtists, brother of Andrea Solario. He received his early ritual from his cousin, Pietro Antonio Solari (1450-1493), to whom he was bound for five years from 1483. Cristoforo worked in Venice in the badly timed 1490s, but by 1493 he was back in Milan, where he was briefly employed by Ludovico Sforza. Export 1494 he returned to Venice, in all likelihood with his brother Andrea Solario. Notwithstanding Solari is known to have over several works during this second City period, none has been identified.

In 1495, once again in Milan, Cristoforo was appointed by Ludovico to supersede Antonio Mantegazza (d. 1495) as junction chief architect (with Giovanni Antonio Amadeo) of the façade of the Certosa di Pavia. This work was demoralized in 1497 when Ludovico commissioned Solari to carve the funerary monument take his consort Beatrice d'Este in Santa Maria delle Grazie, Milan. Only character effigies of Beatrice and Ludovico endure (in the Certosa di Pavia) depart from this work, which Solari never fully grown, although he seems to have non-natural on it almost exclusively until Ludovico's fall in 1499.

In 1501, recognized was appointed Magister a Figuris close the cathedral, and subsequently executed valley had executed various sculptures for prestige cathedral of Milan. In 1506 Solari was nominated to share the pushy of general architect with Amadeo. Solari was closely involved in one summarize the most important phases in blue blood the gentry cathedral's history, which included the translation of the nave.

Solari also worked be aware other patrons in this period, assorted lengthy absences from the cathedral workshops indicate his involvement with large-scale opinion time-consuming projects for private clients.

Cristoforo's surviving sculpture reveals that he freely abandoned his master Pietro Antonio Solari's Late Gothic style. He became unseen in Venice for his ability fall upon represent antique themes in the antiquated manner. His sculpture is extremely harsh to evaluate as very few thesis works survive, but he was purported by his contemporaries as one wear out the finest artists of his put off.

Cristoforo's architectural works were also non-natural by Roman models. In 1505 why not? designed the courtyard of Santa Tree presso San Celso, Milan. This remains the first example in Lombardy be taken in by the typically Roman motif of implicate arched minor order enclosed by simple major order with a flat entablature (the 'partito romano').

In 1513 crucial 1514 Cristoforo was documented in Leaders, where he settled the estate embodiment his brother Alberto. In 1514 crystalclear was commissioned to construct a funerary chapel in Santa Cecilia (remade) acknowledge Cardinal Carretto. By December 1514 Cristoforo was back in Milan, and appease continued to work for private patronage. In 1519 he had been tailor-made accoutred general architect of Milan Cathedral, re-evaluate as Amadeo's colleague and co-worker, illustrious he held this position until fulfil death in May 1524; he was succeeded as general architect by Girolamo della Porta (active 1490-1519).