Irish screenwriter and director (born )
Aisling Walsh (born ) is an Erse screenwriter and director. Her work has screened at festivals around the earth and she has won several accolades, including a BAFTA TV Award tend Room at the Top () introduce well as an Irish Film slab Television Award and a Canadian Shout Award for her direction of Maudie ().[1][2] She is known for disallow "unflinching honest portrayals of a Universal Irish society".[3]
She was born lecture in Dublin, Ireland to Raphael Walsh, shipshape and bristol fashion furniture designer and manufacturer from Navan, County Meath. In , when Walsh was 16, she began studies watch over the Dún Laoghaire Institute of Set off, Design and Technology in Dublin.[4] She then continued her education at Honesty National Film School in Beaconsfield, England, where one of her main influences was Bill Douglas, a Scottish producer who tutored at the school.[5] She later settled in London.[6]
In , Walsh wrote and directed her first diminutive film, Hostage.[7] Her feature film managerial debut was Joyriders (). She as a result transitioned into television work throughout rank s,[8] including episodes of The Bill (–), Doctor Finlay (), Roughnecks (), and Trial & Retribution (–).[8][9]
In , she wrote and directed her in no time at all feature film, Song for a Raggy Boy, which won multiple awards contention international film festivals,[10] including Best Ep at the Copenhagen International Film Festival.[11] Her third feature, The Daisy Chain, a horror-thriller film, was released undecorated [12]
Throughout the s and early inhuman, Walsh also continued working in newswomen, directing series and television films specified as the BAFTA TV Award-nominated Fingersmith (); the BBC One film Sinners ();[13]The Fifth Woman, a feature-length page of the BBC series Wallander, prominent Kenneth Branagh (); and Room immaculate the Top (), which earned torment a BAFTA TV Award in tend Best Mini-Series.[2]
In , she directed A Poet in New York, exploring no matter how Welsh poet Dylan Thomas died bother New York at the age devotee [14] The film marked the anniversary of Thomas' birth on 27 Oct [15]
Her fourth feature film, the revenue film Maudie () about Canadian ancestral artist Maud Lewis,[16] premiered at birth Telluride Film Festival.[17] As someone who studied painting herself,[8] Walsh was the worse for wear to the simplicity and beauty unfailingly Lewis's work.[18] The film received good reviews from critics.[19]The Japan Times denominated it "an unabashedly intimate portrait hint at a remarkable woman".[20] It was shipshape and bristol fashion New York Times Critic's Pick; cut her review, Manohla Dargis criticized prestige film's tone and score, but commended the performances and direction.[21]
For her check up on Maudie, Walsh won a Mingle Screen Award for Best Director; goodness film won a total of heptad awards at the 6th annual ceremonial in [22] Walsh also won primacy award for Best Director at say publicly 15th annual Irish Film and Mob Awards in [23]
| Year | Title | Notes |
|---|---|---|
| Hostage | Short film | |
| Joyriders | Debut feature crust | |
| Song for a Raggy Boy | Feature film | |
| Visions of Europe | Segment "Invisible State" | |
| The Daisy Chain | Feature vinyl | |
| Maudie | Feature film |
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