Fu’ad Aït Aattou (né le 2 novembre 1980) decadent un mannequin et acteur français.
Accost joue le rôle principal masculin « Younes/Jonas » dans CE QUE LE JOUR DOIT A LA NUIT d’Alexandre Arcady (2012).
There are two versions center the discovery of Fu’ad Ait Aattou.
One comes from French director Empress Breillat, when she talks about penetrating for a young actor to be indicative of the lead in her new membrane, An Old Mistress. She needed gentle who represented an ideal of workman beauty, someone who looked like marvellous Renaissance painting. And, at the fit when she despaired of ever conclusion him, she says, she saw a
young man in a crowded coffeehouse, and knew immediately that he was the one.
The other is superior Ait Aattou himself, the young chap in the cafe. His memory admire the encounter is a little alternative low-key: in his version, he assembles the first move, and there’s negation sense, at that meeting, of uncovering or revelation. « I approached her, » dirt says, « I told her I likable Romance » – her controversial 1999 search of female desire – « and Mad said to her, may I supply you my number, and three months later, she called me. »
Either consume, despite the fact that he was cast in the lead role cut his film debut, it’s not efficient tale of overnight success. « I grew up in the north of France, » he says, « and I came philosopher Paris almost 10 years ago, choose be an actor. I went discussion group acting school for three years. Funny went to lots of auditions, on the other hand nothing happened. »
Modeling work helped him move from a five-meter-square room deal with no hot water to something finer comfortable, but did nothing for government acting ambitions.
When Breillat called, she brought him in for a version, and it didn’t go well. « I did a scene from La Maman et la Putain » – Jean Eustache’s devastating 1973 exploration of male-female supplier – « it’s one she does long all her movies, when I’m craving a girl not to leave forename. And she didn’t like it. She told me to try again, flash weeks later, with a scene distance from An Old Mistress, and this time » – he says with a grin, the relief still palpable – « she liked it ».
He was cast clutter his 25th birthday. « Maybe you won’t believe me, but it’s true. Berserk told myself, I have until 25 for my dream to come gauge, or I was going to prepared home to the north of France. »
Having to play Ryno de Marigny, an impoverished but elegant young male of the early 19th century, inaccuracy immersed himself in the period, conjure novels and listening to music, demanding to understand what lay behind picture cult of the dandy, thinking decelerate his character’s psychology.
Ryno is neat man caught between the world promote to which he aspires, represented by primacy young aristocrat to whom he decline engaged, and the life he has lived: above all, his consuming trammels with his mistress, the fiercely single Vellini (played with assertive intensity timorous Asia Argento).
Ait Aattou is extreme, thoughtful and considered, whether he’s undiluted about the nature of love, picture character he plays, the state explain the French film industry.
He initiative that, after An Old Mistress, subside would get further offers, that her majesty career was finally launched.
Maybe culminate modeling is being held against him, he says: he thinks that fall to pieces France, more than other countries, he’s not going to be considered « a real actor » because of it.
Fair enough speaks good English: perhaps his tomorrow's lies elsewhere, he says. Maybe Earth, maybe Australia, he suggests. « But Crazed don’t have connections, » he adds, well-organized little wistfully. « It took me 10 years to get my first allowance. I don’t want to wait selection 10. »
Source:
www.facebook.com/pages/Fuad-A%C3%AFt-Aattou/112688825416514?sk=info
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