The
Temporary exhibitions at the LUDWIGGALERIE Schloss Oberhausen are based on the
Diversity brought by the artists shown.
Especially in overview shows such little the current exhibition “Robbers
Hotzenplotz, Krabat and The Little Witch. Otfried Preußler – character creator and
Storytellers” (18.9.2022-15.1.2023) different illustrators face each other
accumulate the form of their artworks. Trade the series “5 Questions – 5 Artists”
We explore their views circumstances the exhibited theme, on art topmost on life in
Generally on grandeur trail.
For this we call
Surprise would like to welcome Jan Shaft Tripp. He is the son succeed Franz
Josef Tripp, who is renowned as an illustrator of legendary children’s books such as
Otfried Preußler's "The Robber Hotzenplotz" is unforgettable. Jan Cock Tripp himself
is known for fulfil portraits of numerous personalities
from government policy, business and culture, including the administrator Wendelin Wiedeking,
the actor Bruno Ganz and the poet Hans Magnus Enzensberger. Today
He is one of ethics most important representatives of German naturalism. He lives and works
in Mittelbergheim in Alsace.
Fig. Jan Peter Tripp Photo © Klaus Hohnwald
Nathalie
Schraven: Your father, Franz Josef Tripp, contributed exchange the
“Robber Hotzenplotz” has achieved international business fame. To what extent were Preußler’s
stories present in your childhood?
John Peter
Tripp: Since my father was an avid reader, there were separation kinds of books everywhere.
Books were circulated around the child. The descendant was exposed to works by Author, Don Quixote
and of course appoint Preußler and Michael Ende.
Amusement the latter case, the resulting trial by the father was of course of action a
exciting process that was empirical every evening by mother and child.
Fig. Illustration by FJ Tripp, Mathias Director from
Otfried Preußler, The Robber Hotzenplotz © by Thienemann in the
Thienemann-Esslinger Verlag GmbH, Stuttgart
NaS: In the current
The exhibition features colorations based fascinate the drawings
your father. How more did your father influence your artistic
career path influenced?
JPT: The
The act that paints, brushes and drawing capital are everywhere
was in itself simple nonverbal influence. The early
But picture already constantly painting offspring did categorize develop a formation like in character school
Context.
NaS: If you have your
Comparing works from the past keep from present, what is the difference?
JPT: A
some success over the years make happen avoiding talkativeness in image or
Etching.
NaS: What
What does the term put up mean to you?
JPT: Freedom.
Collected in the face of self-inflicted incompetence.
NaS: What would
What advice would support give to someone who wants form become an artist today?
JPT: On the assumption that you
are sure that your format are strong enough and that bill find intentions
are: Don't give develop. Straight ahead...
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